Archive for February, 2008

Further Adventures in 3rd Eye Theatre

Posted in Comix, Spies, kanye, magic, victorian with tags , , , on February 20, 2008 by theskza

Getting back to the roots here of the Skeez Dreams here– waking up early and listening to Kanye while blogging– but at least not from straight up insomnia. More like ordinary restlessness. So let’s begin shall we?

Finally took the time to finish the new League of Extraordinary Gentlemen book thisleague weekend. Quick bring-up to speed, the League is Alan Moore’s literary mash-up series, in which characters from Victorian literature like the Invisible Man, Mina Murray from Dracula, Captain Nemo and Allan Quartermain are recruited by the government to defend the British Empire. It’s fantastic. The new book, The Black Dossier, is both an update and a history, less a story then a compendium. The story, such as it is, follows a curiously youthful Mina and Allan now in the late 1950s, in the shadow of a recently toppled Big-Brother government, as they try to get away with the stolen Dossier of the title, a compilation of the adventures of various incarnations of the League throughout the ages of English lit. Along the way they are pursued by the new incarnation of British heroes, a trio of spies, most notably Jimmy Bond, who gets a merciless treatment by Moore. “God is this is what it comes to? The British adventure hero? Pathetic.” Yeah it’s pretty funny, and it leads up to a commentary on the lack of popular British heroes in the modern age– or at least how after the war they all turned into spies of one sort or another.

So besides this long loose chase adventure– what do you get? Well besides this clash of eras, along the way, as the dossier is revealed, Moore and artist Kevin O’Neil presents an astounding array of styles in the spirit of imaginary works including a lost Shakespearean play, an Orwellian porno-comic, and the further adventures of Fanny Hill, which all adds up to an incredible postmodern trip of literary connections done by a master. The highlight of this for me was the Old Ones of HP Lovecraft go up against Jeeves and Wooster in “What Ho, Gods of the Abyss!” Fantastic. Classic. There is so much packed into this book on every panel that at first I was afraid of reading it–as I was not getting every allusion. But then I just said fuck-it and dove in. This proved to be the proper course. I imagine that everyone will get something different out of it, based on the different things they have read. We all carry this world of past books inside us– and perhaps the walls in this imaginary dimension are not as fluid as we think.

Ultimately, what does that add up to? This internal library? This collection of characters? Does it exist outside of us as well? That’s some fourth dimensional thinking. And speaking of dimensions, there’s a 3-D section to the book as well– which works astoundingly well both technically and as part of the narrative. How can you not love that?

Understanding Outsiders, Or, If You’re So Goth, Where Were You When We Sacked Byanzantium?!?!

Posted in kanye, manifesto, nonfiction with tags , on February 15, 2008 by theskza

So I took survey recently to find out what kind of Goth I am. Which is strange, cause you know, I’m not a Goth. I found it on my friend Gothy Sarah’s Myspace page. Now in case you don’t know, Goths come in many different substrata: there’s romantic-goths who like frilly shirts and poetry, rivet-heads into hard industrial music and black vinyl clothes and perky-goths who like cute dolls with smiley-skull faces. After doing the survey it turns out I’m an “Understanding Outsider”.

I have always had an interest in the culture—“some of my best friends are Goths!” and damn you know, “I like that shit” but this designation I found in a way quite pleasing. Somehow this online validation of my interest and my status as a permanent stranger was reassuring. In a way it could be an ideal approach all subcultures, groups, belief systems and people that I’ve heard about but have yet to know.

I write this because it’s exactly how George Saunders seems to live his life, as revealed in his recent collection of non-fiction essays The Braindead Megaphone. Saunders moves carefully, questioningly, curiously, getting to know subjects from Minutemen militiamen on the Mexico-US border to would-be Buddha’s on the edge of Nepal. Through it all he gives each the benefit of the doubt; an extraordinary empathy for others conditions, and a constant curious unbiased evaluation that is attempting to see people for who they really are outside of their national, religious, cultural boundaries. It’s an attempt to set the record straight; getting into the particular outside of the wail of media and politics. And it’s funny. Humor is one of the key human traits that Saunders returns to again and again as something that binds us together as a species; and separates us from the ignorant and the oppressors.

There’s amazing models in here for writers as well, in essays on how to construct stories on books like Huck Finn and Slaughterhouse Five. Revelatory moments here about the fundamental nature of storytelling itself; essentially how to zig instead of zag, where those moments of zag come from and why they are necessary. I think this book, like Chuck Palahniuk’s collection of essays Stranger Than Fiction is one that I will going back to. Both can help eek out what narrative and story means. Cause sometimes it’s really not what you think.

And just to bring this around, while looking for the Goth survey on my friend’s page I found she had also linked to this article . Go figure eh?

ALSO: Just noticed this blog has passed its 1 year anniversary. 1 year of Skeez dreamin’; jotting down almost everything that I picked up over 12 months. 1 year of trying to figure things out my own writing. Not there yet. But baby it’s making me Stronger Faster Harder Longer. In word count that is.

Wish You Were Here

Posted in Uncategorized on February 10, 2008 by theskza

This is something that I wrote after our honeymoon trip to Rio De Janeiro.
Allegedly it was for the National Post, but don’t think it ever saw print. Anyhow, it’s the grip of winter here now in Toronto, so I wanted to think about something sunnier for a while. More on books soon.


Caught in the magic of Rio de Janeiro, I wondered, where do Brazilians go on vacation? My wife and I were there on honeymoon, meeting up old friends and their Brazilian pals for New Year’s Eve. One of them, a young doctor and Carioca shouted over the fireworks that if there’s one place in Brazil he could go to it would be Morro de Sao Paolo.  

morrosaopaolo

 

Before coming here for my honeymoon, my knowledge of Brazil was limited to soccer and Seu Jorge. It was Jorge’s songs from The Life Aquatic that really got me hooked. His gentle acoustic covers of David Bowie’s “Life on Mars” and “Queen Bitch” sung softly in Portuguese evoked a life of leisure that I wanted part of.

 

A week later and we were on a speedboat packed with Brazilians from Salvador, in Brazil’s north-east, en route to Morro de Sao Paolo (pronounced Mo-Ho) the northern tip of a tiny green archipelago Isla de Tinhara. After a two-hour ride our destination was in sight—a palm-tree gripped tropical paradise, and soon we coasted alongside cliffs, topped with the ruins of an 18th century fortress.

 

The entrance to paradise was a long sloped ramp and a towering stone gateway, another remnant of the island’s colonial legacy. Beyond the gate was a town square; a ramshackle collection of shops and restaurants with hand-painted signs. There are no roads on the island, just smooth paths made of soft white sand. The only transportation– young men with wheelbarrows who ferry luggage, beer, or children, as the situation requires.

We first set out for our lodgings, a pousada, the Brazilian equivalent of a bed and breakfast. The Pousada Volta Grande, a two-level white villa turned out to be at the top of a vertigo-inducing series of stone-steps. This actually turned out in our favor, as it put us above the noise of the street level assemblage of bars and shops, which by night bloomed into a full-blown party. 

 

Our next goal was the beach, which we padded down to past bikini stores, juice bars, and travel agencies which arranged scuba diving cruises and flights around the island. Once at the sand we discovered that it was divided into many beaches each with a distinct character. We were determined to try them all.  

The Primeira Prainha, or First Beach is a family-friendly curve of sand with a crashing surf just hard enough for younger kids to practice their body-surfing. High above the waves a zipwire was strung up, running from the lighthouse-topped mountain peak to the end of the beach. We were the only Gringos; our whiter-than-white skin causing many stares from the bronze and beautiful. But after coating up in SPF 50 we hit the waves.   

 

Taking a moment for breath, we headed down to the Segunda Praia, the Second Beach, a wider expanse of sand dotted with palm trees, blanketed with bronze bodies and ringed by beachfront bars blasting a mix of samba and North-American classic rock. The ocean here was shallow, just a foot or two deep and warm like a bath, allowing you to float in perfect bliss. And bikinis were in full effect wore bikinis, Brazilians of all ages shamelessly flaunting their goods. It was like we had slipped into a forgotten Eden or an episode of Star Trek where the crew stumbles onto a planet of untamed sensuality.

 

Here the young and the affluent frolicked at ease. Couples with wooden racquets knocked a hard rubberball back and forth on the edge of the tide. Further down Capoeira dancers banged out rhythms, popping and body-locking their fists and feet, each swing as close as could come to a near miss.

 

After reapplying sunblock we moved to the Terceria Praia, the third beach, a secluded and narrower strip. This was not a place for play but to hide-out under your own rented umbrella lounger. After parking ourselves we ordered up Caipirinhas and Cuba Libras and basked. For more seclusion we could have pushed on to the fourth beach, but even with multiple applications we had just about reached our peak of sun.

 

We returned to the Volta Grande for a hammock siesta. When we woke, despite being late in the day there was still plenty of sunshine so we decided to continue our beach tour. Our hosts, a young couple named Juan and Fabian, told us about the other side of the island, and a place called Gamboa Beach a getaway enjoyed by locals for its excellent swimming.

                                                

Once we got there we found the West side of the island free of the tourist trappings we had encountered thus far. In fact, there wasn’t much of anything besides the occasional jutting pier. But the view was spectacular as the sunset cast everything in an amber glow. As we strolled along the sand we passed driftwood and tidal pools in which tiny crustaceans scuttled away at the approach of our shadows. Eventually we reached a series of gigantic cliffs, soft pink mud carved with the names of passersbys.

 

And that’s when we noticed we were running out of shore. The tide was coming in. We carried on, certain we would find a path up from the beach when we got past the cliffs. No luck. The only one we found took us into a local’s backyard who shooed us away in Portuguese. And there was still no sign of Gamboa beach. With every step the tide lapped closer to our heels. The shore now started disappearing entirely between the cliffs and the sea. And in not much longer we would be trapped, with nowhere to go at all. So we scooped off our sandals and splashed through the surf and sand. Finally we emerged to a widening beach, laughing with relief.

 

This proved to be premature. What at first we took to be a lively bar and beachfront campground, was actually empty, despite strings of Christmas lights. The next lot was the same. There was not a single person around, and the glow of sunset now crept into twilight. All we had to guide us was a gaudy cartoon tourist map of the island. At the first trace of a road in the tropical forest we cut inland, certain that it would lead back to town, or at least somewhere on our map.

 

The path was rough, overgrown with tufts of wild grass.  A skinny horse stood in our way for a moment before continuing on its way. Houses we passed were half-built, and in increasingly shanty-town-like conditions, lit only by the glow of television sets. The few locals we saw merely glanced over with disinterested eyes. It was about the time that the sunlight was gone that we started to panic.

 

Luckily, at the next lot there was a family outside. They spoke no English, and we no Portuguese, but after minutes of frantic gesturing and mangled por favors, the man laughed, and beckoned for us to follow. He led us back to the beach and beyond for a good twenty minutes, until we reached a tiny town. Gamboa, naturally. From there, a small port with a waiting water taxi. Saved! We were flush with gratitude, which he humbly waved away. Strangest of all, our hero looked exactly like Eddie Murphy.

 

The water taxi dropped us at the gate to Morro de Sao Paolo. Thirsty and starved we stumbled into town, into the first restaurant we found and ordered up huge jugs of mango juice. No one here knew the comic catastrophe that had befallen us. In the back of the restaurant, a young man with long dark dreads strummed sweet tropicalia-licks while singing softly in Portuguese. It was some time before I recognized the melody—Pink Floyd, the song Wish You Were Here.

Smashing the Competition

Posted in Comix, nostalgia with tags , , , , on February 5, 2008 by theskza

An exhausting but enjoyable journey into comics recently for me was reading Planet Hulk and it’s mega-mega Marvel-crossover World War Hulk. Definitely this was a trip for me. Mike Leone gave me a huge green double-bag stretched to the breaking point with about, what 50 individual comics at least. It was great to completely dive into it though, having been away from the series for so long. Basic premise, Hulk’s superhero buddies get tired of him smashing everything in sight, so they trick him into a rocketship and shoot him into space, on course for an uninhabited world. Yeah, you know that goes wrong. Instead, Hulk gets worm-holed onto this bad-ass alien-Roman-esque planet where he must fight for his freedom and generally gladiate his way to freedom. Why the fuck not?

The raison d’etre is a good one– let’s put the Hulk on a world where he can finally let loose and not worry about property damages. Everything on this world is Hulk-tough too; oversized robots, aliens, monsters and tyrants all in need of a good smashing. And he does, oh man does he ever. Which was great you know, away from the cramped Marvel continuity of the recent Civil War superhero police state–instead you got a raw and rollicking story; something major league that was actually a challenge to it’s hero; and in its story cut to the core of the character, albeit in a somewhat simplistic dichotomy– monster or hero? Saviour or Destroyer? I’d say it would be great for former Marvel readers who just want a good action series. Like me. So I enjoyed it a whole lot.

World War Hulk, the uh, followthrough however I’m a little less sold on. Naturally the Hulk is angry, angrier than he’s ever been before about being shot into space, so he returns to Earth to bust some superhero heads. (As a sidenote– there’s no ‘villains’ in this series– which is regretable; whatever happened to the bad guys?) After he storms into Manhattan with his alien buddies, the Hulk throws it down with, pretty much every hero in the Marvel universe. And over, what like 30 issues, rather than a story you get a nonstop geekout slugfest; an extended riff on who would beat who in a fight? Like OMG could the Hulk beat the Fantastic Four in a fight? What if he was really mad? Or could he beat the entire X-Men? What if he was, you know, really mad? All of this is fun or whatever, but not exactly a beat for beat twist for twist story considering how many issues went into the damn thing.

It seems that the slugfest is there to satisfy those who has gotten tired of Marvel’s “Initiative” storyline, where every hero must be essentially, a registered “super cop” working for the government. Will the Hulk’s rage overturn this? In fact it doesn’t; in the end you get another cop-out. The Marvel heroes don’t learn anything. The Hulk is defeated and packed in a box. And things continue status as quo. So where the hell’s the progress there?

Ah comics. You never get tired of letting me down.